Apology
In crowded places, I kiss you.
You lean away, unconsciously embarrassed.
Forgive me—I forget you are not the only one in the room.IT WAS A REALLY INTENSE DAY OKAY plus I kissed you back right after
…
You’re cute let’s keep PDAing.
My boyfriend is correct!*
(*Yes, this is her boyfriend speaking)
P.S. Dishabillic is posting for now via e-mail as she finishes finals and takes however long a hiatus from tumblr, in case you guys are missing her)
P.P.S. Feel free to ask for embarrassing stories if you want I HAVE TONS
Source: dishabillic
Bone Weary
I can almost taste the shades of gray
rising in layers outside my window.
I still smell the white noise of rain punctured
by the train coming on twin rails way off
in the distance, where others dress
in bright colors for travel. The boundary
between salt water and fresh water,
put in place so long ago it’s become
a spit, a sea wall, a piece of land
that no longer troubles me, lies indifferent
as a sponge—its sand compacted, yellow.
They say I am hollow, my nerves shot.
They bring mineral waters. How can I tell
them the infinitely many ways
I struggled to fill the hills and valleys
of a simple conversation? How
make peace with the long silences
following on the heels of argument?
I know now that cloth full of smelling salts—
spirit of Hartshorne, eucalyptus oil—
brought me to when I fainted. My walls
clammy, the small dirty rooms in grayout.
I hear sirens. They fill the whittled
semblance of days and nights. I cover
my ears with down pillows when car alarms
sound. Jaguars and Audis, singing too loud
from green-swept curbs of the neighbors.
Judith Skillman
Sonnet LXIX
Perhaps not to be is to be without your being,
without your going, that cuts noon light
like a blue flower, without your passing
later through fog and stones,
without the torch you lift in your hand
that others may not see as golden,
that perhaps no one believed blossomed
the glowing origin of the rose,
without, in the end, your being, your coming
suddenly, inspiringly, to know my life,
blaze of the rose-tree, wheat of the breeze:
and it follows that I am, because you are:
it follows from ‘you are’, that I am, and we:
and, because of love, you will, I will,
We will, come to be.
Pablo Neruda
In Spanish:
Cartoon Physics, Part 1
Children under, say, ten, shouldn’t know
that the universe is ever-expanding,
inexorably pushing into the vacuum, galaxies
swallowed by galaxies, whole
solar systems collapsing, all of it
acted out in silence. At ten we are still learning
the rules of cartoon animation,
that if a man draws a door on a rock
only he can pass through it.
Anyone else who tries
will crash into the rock. Ten-year-olds
should stick with burning houses, car wrecks,
ships going down — earthbound, tangible
disasters, arenas
where they can be heroes. You can run
back into a burning house, sinking ships
have lifeboats, the trucks will come
with their ladders, if you jump
you will be saved. A child
places her hand on the roof of a schoolbus,
& drives across a city of sand. She knows
the exact spot it will skid, at which point
the bridge will give, who will swim to safety
& who will be pulled under by sharks. She will learn
that if a man runs off the edge of a cliff
he will not fall
until he notices his mistake.
Poetry excerpt from “The Human Face” by Antonin Artaud
if you think about it,
(literally) the heart is caged
behind your hard ribs.
Source: bummyworld
The Death of the Reader
I have not read a book since my divorce,
or, I have been a bad reader and have read
books, but have not finished them, or, I may
or may not have read some books, but only
those I read as a child, and those to my son,
or, I have picked up books in order to love
them, but have been unable to. I have loved
so many books, and by that I mean novels,
those books that are to lose oneself inside,
to hide in a duck blind, to hide behind a door
with an axe, to hide in a tree with a friend,
to crush a birdnest in the fist to watch the
smallest shells fall through the sunlight, to
pick up a gun and fire it by accident and
kill my ten year old twin, my father
running through the tall grass like he is
under water, I have never seen him run
so fast. Even hiding in the farmhouse,
fantasizing about a floor that can be hosed
clean. Mostly, though, the duck blind,
and being caught there, my long dress
having trailed the mud, and later my death,
there, in the second floor bed, my eyes
two awful things, my death a black thing.
This is the tenth poem I have written about
my death, or at least the death of the reader,
or at least the death of the reader who cannot
read books, only poems. A poem can break
your heart in the short term, and over and over,
in the same way, and in others, the shards falling
through the treelimbs to the pasture below.
This is the heartbreak I am after. Not the one
after the marriage, the long marriage, the forty
open acres of marriage, the fifty page ending.
Just the snapping open of a valve, the chamber
squeezing like a fist, the heart breaking like
a bird’s egg, untended, desiccated, sparkling
in the evening light, so beautiful, so light
and diaphanous it almost doesn’t fall.
Source: failbetter.com
White Towels
between solitude and loneliness,
telling the story of my life
to the clean white towels taken warm from the dryer.
I carry them through the house
as though they were my children
asleep in my arms.
Richard Jones
Tissue Culture
Some hearts dissolve in one day.
Their many families of cells live on
inside incubators.
Myocytes growing in petri dishes through winter.
Invisible scaffolding guides their migrations,
nomads searching once again for each other.
They do not forget where they come from.
When they meet, they join,
beating in unison.
The student checks their pulse
at noon and at midnight,
notes changes in morphology,
new cell-cell contacts.
He does not notice
the sugar ant
dragging a black hair
into the crack in the floor.
Who knows how far back down.
Food for the Queen.
Or maybe digested into glue
to plug a growing void in the wall.
Or to tie our breath
to the other side of the wind.
Robert Pesich
Symptom Recital
I do not like my state of mind;
I’m bitter, querulous, unkind.
I hate my legs, I hate my hands,
I do not yearn for lovelier lands.
I dread the dawn’s recurrent light;
I hate to go to bed at night.
I snoot at simple, earnest folk.
I cannot take the gentlest joke.
I find no peace in paint or type.
My world is but a lot of tripe.
I’m disillusioned, empty-breasted.
For what I think, I’d be arrested.
I am not sick, I am not well.
My quondam dreams are shot to hell.
My soul is crushed, my spirit sore;
I do not like me any more.
I cavil, grumble, grouse.
I ponder on the narrow house.
I shudder at the thought of men…
I’m due to fall in love again.
Dorothy Parker
Visitation
Now when I visit Ellen’s body in my memory,
it is like visiting a cemetery. I look
at the chiseled, muscular belly
and at the perfect thirty-year-old breasts
and the fine blond purse of her pussy
and I kneel and weep a little there.
I am not the first person to locate god
in erectile tissue and the lubricating gland
but when I kiss her breast and feel
the tough button of her nipple
rise and stiffen to my tongue
like the dome of a small mosque
in an ancient, politically incorrect city,
I feel holy, I begin to understand religion.
I circle around to see the basilica
of her high, Irish-American butt,
and I look at her demure little asshole
and am sorry I didn’t spend more time with it.
And her mouth and her eyes and white white teeth.
It’s beauty beauty beauty which in a way Ellen
herself the person distracted me from. It’s
beauty which has been redistributed now
by the justice of chance and the temporal economy.
Now I’m like a sad astronaut living
deep in space, breathing the oxygen of memory
out of a silver can. Now I’m like an angel
drifting over the surface of the earth,
brushing its meadows and forests
with the tips of my wings,
with wonder and regret and affection.
Tony Hoagland
Beyond Recall
Nothing matters
to the dead,
that’s what’s so hard
for the rest of us
to take in —
their complete indifference
to our enticements,
our attempts to get in touch —
they aren’t observing us
from a discreet distance,
they aren’t listening
to a word we say —
you know that,
but you don’t believe it,
even in a deep cave
you don’t believe
in total darkness,
you keep waiting
for your eyes to adjust
and reveal your hand
in front of your face —
Not Bad, Dad, Not Bad
I think you are most yourself when you are swimming;
slicing the water with each stroke,
the funny way you breathe,
your mouth cocked as though you’re yawning.
You’re neither fantastic nor miserable
at getting from here to there.
You wouldn’t win any medals, Dad,
but you wouldn’t drown.
I think how different everything might have been
had I judged your loving
like I judge sidestroke, your butterfly,
your Australian crawl.
But I always thought I was drowning
in that icy ocean between us,
I always thought you were moving too slowly to save me,
when you were moving as fast as you can.
Jan Heller Levi